I always thought the best definition of mood in literature was: “how do you feel about what’s going on in the story?” It’s not just the colors; it’s the tone of the writing as well.
Although the best definition of mood in literature is the tone of the writing itself, that’s not the best definition of mood in literature. The best definition of mood in literature is when you put that book in your hands and look at it you feel the same way that you feel when you look at the real world. Because every book you read has its own tone, every book you read will seem as real as the real world if you put it in your hands.
The reason mood is important is because it helps us know what moods are. For example, you might be reading a book and think about it and you might feel, “This is a very sad story.” Well that’s a mood. But you might think, “This is a book that’s sad. I don’t feel so sad while reading it.” That’s a mood.
What makes a book moody is that you’ll think about it and you’ll feel sad if you read a book that’s sad. This isn’t to say all books are sad. But if you read a book that’s sad and you feel sad, you can tell that the book is in a mood.
It may come as a surprise to some, but a mood is not just a feeling. It is an attitude-state about the state of the book. In the moody book, you feel sad and sad and sad and you feel sad. A sad mood is the state of a book.
The word mood comes from the Latin verb (molestu) and its Latinized as mood (“emotion”). It was used by the Greeks to indicate an attitude to one’s inner state, and so it’s often used as an adjective to indicate mood. The mood in the book is moody, a moody one, a moody word that means “an attitude toward another”. A moody book is one that has a mood.
The mood in the book is often determined by the mood in the mood. But it’s also determined by the mood in the book. It’s a moody book, an attitude-state of the mood.